Bhagavad?Gita,?Vedas,?Upanisads,?Nyaya
December 15, 2017
What force must be applied to a steel bar 1 in. square and 2 ft. long to produce an elongation of 0.016 in? (The modulus of elasticity for steel is 29,000,000 psi)
December 15, 2017

Description
can?you?write?all?the?details?what?happen?on?each?topic?that?list?on?A?,?B?,?C?,?D?,?E?for?each?topic?in?bullet?point

1. Abstractions I: Kinetic Art, 1955-1967
a. The exhibition Le Mouvement (1955) & motion/emotion ?
b. Modernist painting & ?presentness? (Fried) ?
c. Minimalism and the duration of experience ?
d. Two models of ?theatricality? (Krauss) ?
2. Abstractions II: Neo-Concrete Art
a. Neo-Concrete art as ?rejoinder? (Brett) ?
b. The ?rationalism? of Concrete art (Max Bill) ?
c. The ?Non-Object? (Gullar) ?
d. Lygia Clark, An Uncommon Beast, 1963 & Trailing, 1964 ?
e. Helio Oiticica, B?lides, 1963-69 ?
3. Process and Material I: Postminimalism
a. Postminimalism (defined in Live in your Head & Anti-Illusion exhibitions) ?
b. Richard Serra, Gutter Corner Splash: Night Shift, 1969/1995. ?
c. Robert Morris, Untitled, 1969 ?
d. Eva Hesse, Addendum, 1967 & No Title, 1969-70 ?
e. Shelia Hicks, The Principle Wife Goes On, 1969. ?
f. Fiber Art and the hierarchy between art & craft (Auther) ?
4. Process and Material II: Mono-Ha and Tansaekhwa
a. The ?practice of the world (sekai)? (Kee) ?
b. ?Chaotic Input? (Chomsky) ?
c. ?Simultaneity? & the ?interconnectedness of things? (Ha Chonghyun) ?
d. Tansaekhwa & Five Korean Artists, Five Kinds of White, Tokyo Gallery ?(1975) ?
e. Mono-Ha & ?non-art? ?
f. Lee Ufan, Relatum, 1971 ?
g. The ?Death of the Author? (Barthes) ?
h. Lee Ufan, From Line, 1973 & From Point, 1977 ?
5. The End of History? I: Multiculturalism circa 1993
a. The ?End of History? (Fukuyama) ?
b. Daniel Martinez, I Can?t Imagine Ever Wanting to Be White, 1993 ?
c. Glenn Ligon, Untitled, 1990 ?
d. Byron Kim, Synecdoche, 1991-present ?
e. ?Identity politics? and the 1993 Whitney Biennial ?
6. The End of History? II: The Global Rise of ?Biennial Culture?
a. Les Magiciens de la terre, Centre Pompidou (1989) ?
b. Globalization (Jameson) ?
c. Biennials as engagement with vs. symptom of globalization ?
d. ?Transnational transculturalism? (Kapur, pg. 183) ?
e. Comparative art history (Kwon)

 

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